Notes

When Eva's parents fail to escape Germany, the child changes her name and begins the process of denial of her roots. It is only when her own daughter discovers some letters in their attic that Eva is forced to confront the truth about the past.

NZ Review: 'Searing theatre that cuts across a continuum of suffering to the very heart of what unifies us as human' The Times; 'A powerful contribution to Holocaust literature... presented with emotional clarity and intense sympathy' New Yorker'; Samuels has written the best play about the pain and passion of mother/daughter relationships' Guardian
UK Review: Bertrams Star Rating: 1 stars (out of 5)

Author's Bio
Diane Samuels is a playwright whose work has been widely produced. Her play Kindertransport won the Verity Bargate and Meyer-Whitworth Awards, and was first produced by the Soho Theatre Company in 1993. Subsequently it has been translated into many languages, performed in the West End, Off-Broadway and all over the world, and revived numerous times. Other plays include: The True-Life Fiction of Mata Hari (Watford Palace Theatre, 2002); Cinderella's Daughter (Trestle Theatre tour, 2005); 3 Sisters on Hope Street with Tracy-Ann Oberman (co-produced by Liverpool Everyman/Playhouse and Hampstead Theatres, 2008) and Poppy + George (Watford Palace Theatre, 2016). Her plays for younger audiences include One Hundred Million Footsteps for Quicksilver Theatre Company and Chalk Circle, Frankie's Monster and How to Beat a Giant at the Unicorn Theatre. Her musical, The A-Z of Mrs P, with music and lyrics by Gwyneth Herbert, had its world premiere at Southwark Playhouse in 2014. For BBC radio, plays include Swine, Doctor Y, Watch Out for Mister Stork, Hen Party, Tiger Wings and Psyche. She also works as a teacher/facilitator of creative writing to all ages.